Jeremy Gordaneer was born in Ontario and grew up in Victoria, BC. She developed In Search of Ballerina Feet together with Teatro do Silêncio (2013), Roots of Curiosity a collaboration between neuroscientists and artists (CCB-Fábrica das Artes 2015) and Everything in the World began with a yes" (CCB-Fábrica das Artes 2016) with the composer Filipe Raposo. She has developed performances for young audience, where she explores the relation between figurative and abstract imagination. In 2010 she met and briefly studied with Anna Halprin, one of her main inspirations in the dance field.
She holds a master in choreography from Das Graduate School in Amsterdam (2016). She studied arts: Artistic Studies (BA) at the Faculty of Arts of Lisbon (2008) and Contemporary Art (post-graduation) at Lisbon’s Catholic University (2011). She started dancing in the National Company in Lisbon and in parallel she became a Yoga teacher at the Yoga Shamkya School (2003). She has graduated in the Contemporary Dance Academy (2001). She permanently questions herself about: what moves us? How do we move? And to where are we moving? She is also interested in documentation practice through maps related to scores and movement notation. Sara Anjo (PT 1982) is a dancer and choreographer and she is interested in ecstatic and contemplative practices. She was recently selected to participate in Being a Pig an intensive choreographic residency with Deborah Hay. Currently she is working on new projects in Montreal, Portugal, Amsterdam, and Newfoundland. In 2016, She completed her Masters at The Graduate School, DAS Choreography (Amsterdam). In 2016 she began work on her Masters project between the is and the could be (2016) which explored emergent choreographic forms, and other methods for altering aspects of spectatorship.
This led to the dance that i cannot do (2013) which was presented at, amongst others, Movement Research The Judson Church and the Munich Dance Festival. Her more recent works explore self-solo formats and an interest in expanded choreographic methods. During that time, she also co-choreographed Norman (2008) for Lemieux.Pilon.4Dart which toured extensively through Asia and Europe. An interest in collaborative models then lead to the co- founding of the collective The Choreographers (2007-2011). From 2007 to 2015 she worked as dramaturge, and co-artistic director on seven acclaimed works including Eesti: Myths and Machines (2011) which received mention as top dance works of the year by the Voir. Her early choreographic works include Rhyming Couplets (08), and A Soft Place to Fall (06). Thea Patterson (BFA, MA) is a choreographer, performer, and dramaturge based in Montreal.
It also reflects on scales of proximity, micro perceptions and micro politics, where latency and immanence become the potency of the moment. This environment of encounters it also related to openness to the unknown and a process of drifting within navigation, unraveling the pleasure of not knowing. It is based on an artistic practice that explores multiple fields of experience and experimental togetherness, operating within an immersive event of moving, fielding through, listening and developing performative affects. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.Intensive Maps develops an environment of encounters, where a corporeal cartography and intensive mapping takes place. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file.
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